Wow, a whole year has past since the last entry on this series, now that’s what I call ‘occasional’!
OK, so if you recall, I made a big thing about the importance of the jaw-line. Well, now that I have finally taken some photos of the Brest Tiller, I can illustrate the point with the view of the face from under the neck. The image also nicely illustrates the prominence of the nose, and, if you look very carefully, the curve of the forehead is just about visible too.
gravestone for Gwyneth Ericka Morgan
daughter of Lord Tredegar
can be seen in Bassaleg parish church
near Newport, South Wales
OK, its a bit morbid, but I do like wandering around graveyards – we used to play find the oldest grave when my parents dragged me round various Cathedra and ancient churches when I was much younger than I am now – and this is my favourite memorial, particularly for the sad history that goes with it.
In the late 19th and early 20th centuries, the Morgans of Tredegar House were among the richest and most influential families in the country. Courtenay Morgan, Lord Tredegar, had two children, Evan and Gwyneth, who were very close. Evan was a fascinating character, a real party animal, skilled artist, occult practitioner, Papal advisor and gifted animal trainer. Gwyneth was a beautiful socialite and something of a Bohemian who fell into bad company. At the age of 29, Gwyneth died under mysterious circumstances, possibly of a drug overdose. Her body was pulled from the Thames and some say her pockets had been filled with stones to weight her down. Such a terrible disgrace was felt by her father that he refused to bring her body home for interment in the family grave. On Courtenay’s death, Evan was finally able to bring his beloved sister home and he raised this gravestone to her memory; it’s very Evan in feel, I think, and very beautiful, but, I always wonder why he buried her in her own plot instead of in the family grave.
Now that the rope-work section only needs tidying up it really is time to move on to the next section. First of all I developed this pattern on paper cut to the shape of the length of tiller. The section is going to be ‘interesting’ to lay-out as it tapers, curves and is oval in cross-section. I cut a sheet to size and trial fitted it before I developed the pattern below:
Once drawn up the pattern was glued in place but once glued in place the pattern was about 2mm out where it stuck more tightly to the curve than it did when it was dry and relatively stiff , so, nothing for it but to draw it directly on to the timber. First you need a construction grid – four centre lines, one for each side, then verticals to mark the centre for each diamond. Next mark out half way between every point the vertical and horizontal lines intersect and join them up to form a diamond grid which were thickened:
The lines were then tidied up to give the final lay-out. The diaper flowers are being trialed at the same time, but as these will be carved away, they will be properly laid out at a later stage. Far left shows a turks-head knot ready for carving.